top of page

Making an Etching

Printing Meadow Sweet.jpg

Cliona Doyle makes etchings and carborundum prints as well as mono-prints and mokuhanga (japanese woodblock prints). When making etchings, She generally makes her preliminary drawings directly onto her plates outdoors, drawing directly from nature. She then returns to the studio and begins the process of developing and proofing her images. This can take several weeks, extra layers can be added to the initial drawing and tone can be added with aquatint.

IMG_2028.jpg

Copper plates for 'wild Orchid and Brimstone' during aquatint process.

FullSizeRender.jpg

Copper plates ready to print.

FullSizeRender(4).jpg

When the plates are finally ready they can be inked up in a variety of colours and run through the printing press with damp paper laid on top. The proofing process involves trying out different colour combinations until the artist is happy with the result. The print can then be editioned and signed.

IMG_2381(1).JPG

First plate being run through press

First plate of three being printed.

IMG_2386.JPG

Printing third and final plate for 'Wild Orchid and Brimstone'.

bottom of page